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[S1E3] Episode 3 - The Third Episode ((NEW))


This recap of House of the Dragon's third episode contains spoilers for ... well, for House of the Dragon's third episode. That's pretty much what a recap is. Proceed accordingly.




[S1E3] Episode 3 - The Third Episode



If you're just joining us, here are recaps of episode one and episode two and a glossary of people and places you may have forgotten.


Three years have passed since the last episode. King Viserys has married his teen bride Alicent and they've had a son named Aegon, after the founder of the Targaryen Dynasty. Alicent is expecting a second child, as well.


She's wrong about the king, who still wants her to inherit the Iron Throne, but she's right about the "everyone else" part, as various lords spend this episode whispering in Viserys' ear that his firstborn male son should be named the heir.


Still another lord suggests Ser Laenor Velaryon, the son of Corlys and Rhaenys, as Rhaenyra Suitor Number 3. (Don't worry, we haven't met him yet, but we will, before the episode is over.) You'll remember that awkward walk the king took last week with the 12-year-old? Yeah. Laenor is her older brother.


What's in a name? Well, in the case of the royal family, a lot. And, between "Mountbatten," "Cookie," and "Shirley Temple," such was the hottest topic of The Crown's third episode, "Windsor."


The third episode of "The Handmaid's Tale" ended with Ofglen (played by Alexis Bledel) in an eerie hospital recovery room scene. During our interview for INSIDER's new podcast "Showrunners," Bruce Miller explained the decision-making process behind this sequence of events.


Throughout episode three, the audience comes to realize that Ofglen has been arrested by the Sons of Jacob for engaging in a sexual relationship with a Martha. They are brought to court and "charged with gender treachery in violation of Romans 1:26, by His word."


"The way that they talk about it to [Emily], even in the episode is, 'We're saving you. You have an uncontrollable urge, and we're going to take that away. We're going to make your life so much easier,'" Miller said. "Which is a lot of the underpinning of why it's done traditionally to young girls. It's to take away an unbridled sexual desire, to keep them from being lascivious. Here she's a gay woman, they don't want her to be attracted to women, so they just kind of think, 'Oh, we're going to do her this favor. We're not going execute her. We're going to be nice.'"


"As Moira says in the pilot, 'We're breeding stock,'" Miller said. "You don't need eyes for that [...] You're a walking womb, or as one of our brilliant writers said, 'vagina furniture,' which made it into a couple of episodes that got cut out, but it was such a great expression."


For more from Bruce Miller, listen to the full episode of "Showrunners" below. Subscribe to "Showrunners" on iTunes here so you can hear new episodes (featuring the showrunners from "Silicon Valley," "American Gods," "Insecure" and more) first.


Fire and Blood, the book on which House of the Dragon is based, took place over 300 years. To cover much of that ground, the show needs to get a move on: Episode 3 is set three years after the events of episode 2. You'll recall in that episode King Viserys Targaryen announced to the Small Council his intention to marry Alicent Hightower. Now King Viserys and Queen Hightower have a son, Aegon, and as episode 3 opens we see scenes from Aegon's second birthday celebrations.


King Viserys, clearly just hanging out for a good time, is then accosted by a servant, who informs him of happenings in the Stepstones, where Daemon Targaryen and Lord Corlys Valeryon are waging war against The Triarchy. Episode 2 ended with Daemon and Corlys striking up a partnership to deal with the Triarchy and its apparent leader, the Crabfeeder. This episode's first scene shows Daemon attacking the Crabfeeder's army on dragonback, but being repelled by archers shooting flaming arrows.


The servant keeps badgering Viserys with war developments, but all the king cares about is finding Rhaenyra, who's conspicuously absent from the celebrations. Queen Alicent Hightower finds Rhaenyra reading under the Godswood tree. The king and friends are about to go on a hunt to mark Aegon's birthday, and Queen Alicent requests Rhaenyra's presence. These two were close friends in the first two episodes, but Hightower's marriage to Rhaenyra's father has turned their warm friendship cold. Rhaenyra basically tells the queen to leave her alone, but begrudgingly comes along after Queen Alicent says the King has ordered Rhaenyra to join them.


A royal hunt is an extravagant thing, with a town's-worth of comforts transported to the hunt headquarters. A food hall is built up within a huge tent, and Rhaenyra finds herself invited to chitchat with the ladies of the court. There, Larys Strong introduces himself -- he's the son of Lyonel Strong, the Master of Laws who appeared in the previous episode.


The Crabfeeder tries to retreat, but he's caught by Daemon. In battle we thankfully don't see, Daemon slices the Crabfeeder in half. What we do see is Daemon dragging the top quarter of the Crabfeeder into the battlefield, signaling that the war is won -- and that the episode is over.


"The Entire History of You" is the third and final episode of the first series of the British science fiction anthology television series Black Mirror. It was the first episode not written by series creator Charlie Brooker, instead credited to sitcom writer Jesse Armstrong. Directed by Brian Welsh, the episode premiered on Channel 4 on 18 December 2011.


The episode is set in a future where a "grain" technology records people's audiovisual senses, allowing a person to re-watch their memories. The lawyer Liam (Toby Kebbell) attends a dinner party with his wife Ffion (Jodie Whittaker), becoming suspicious after seeing her zealously interact with a friend of hers, Jonas (Tom Cullen). This leads him to scrutinise his memories and Ffion's claims about the nature of her relationship with Jonas. The episode was designed to be set in 2050, with stone, wood and metal materials featuring heavily in the sets. The concept of an episode about relationships and the importance of letting things go was pitched by Armstrong.


The episode was less comedic than other works by Armstrong, with critics highlighting its relevance to how mobile phones and the internet allow people to record an increasing number of details about their lives. Reception to the episode at the time of its broadcast was positive towards its premise and Kebbell's acting, with mixed reception to its execution. Later critics generally ranked "The Entire History of You" among the best instalments of Black Mirror.


The executive producers Charlie Brooker and Annabel Jones began work on Black Mirror in 2010, having previously worked together on other television programmes. The programme was commissioned for three hour-long episodes by Channel 4, taking its budget from the comedy department. Brooker's production company Zeppotron produced the show for Endemol. "The Entire History of You" was the third episode to air, on 18 December 2011.[1]


"The Entire History of You" was written by Jesse Armstrong, making it the only episode of the first series to not feature a writing credit for creator and showrunner Charlie Brooker. Executive producer Annabel Jones said that they were looking for a satirical writer whose stories "still have meat".[2] Armstrong was a sitcom writer, best known for co-creating Peep Show, which uses point-of-view shots, and had met Brooker several times previously. Armstrong had independently been considering the exponential growth of memory capacity in computers, and pitched an idea relating to the importance of "being able to forget things" in relationships.[2] The episode's first draft was too long; Brooker conceived of several consequences of the grain such as people going to the cinema to have affairs as their grains would be turned off for copyright law reasons. The story was scaled down to focus on a "domestic bubble".[2]


The memory technology is known as a grain as it is the size of a grain of rice. The characters control it with a small circular remote that the crew called a "pebble". Production designer Joel Collins designed the grain app to resemble tree rings. To distance the episode from science fiction, Collins used materials like stone, wood and metal. The episode is set in 2050 and has a "mid-century" feel based on 1950. It uses point-of-view shots to show the characters' memories.[2]


When Armstrong made a deal to write the episode, he asked to reserve film rights for the idea. In February 2013, it was reported that the American actor Robert Downey Jr. and George Clooney had bid for the rights to option "The Entire History of You" with the intention of making a film adaptation. The rights went to Downey Jr.'s production company Team Downey. Armstrong planned to write the script, which would be about a man who uses a grain to repeat memories with his deceased wife, gradually learning a big secret from doing so.[3][4] In a 2018 interview with Yahoo! Movies, Armstrong reported that the project was in "development hell", commenting that no progress was being made but that he was still interested in the project. He suggested that Team Downey's option had lapsed.[5][6]


Though Armstrong was known as a comedy writer, the episode contains little humour.[7][8][9] In comparison to the previous episodes, "The National Anthem" and "Fifteen Million Merits", David Lewis of Cultbox found it darker in tone, David Sims of The A.V. Club found it made for more uncomfortable viewing and Sam Richards of The Telegraph found it to contain less satire.[7][10][11] Al Horner of GQ called it the "most emotionally harrowing" episode, Brendan Doyle of Comingsoon.net writing that although the episode is "exceptionally dark", it ends with "a small ray of hope".[12][13] Sims summarised the episode as a "spare, intimate affair centered around three characters and an accusation of infidelity".[10] It takes place in the near future,[9][11] the primary setting being "stark, modernist interiors of several isolated country homes" according to Emily Yoshida of Grantland.[14] Ryan Lambie of Den of Geek commented that the characters are all rich, young and attractive.[8] Comparisons were made to other media. Sims linked its themes to the 1869 novel He Knew He Was Right, about a marriage failing from the jealousy of the husband and stubbornness of the wife.[10] Richard Edwards of GamesRadar+ compared its subject matter to the 1974 thriller The Conversation, about a moral dilemma faced by a man involved in surveillance, further commenting that the director's use of still cameras and lengthy takes resemble 1970s thrillers.[9] 041b061a72


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